Technically it was in full bloom last week as well (the festival started on April 5th) but I was too busy to blog about it then. Plus there was nothing I wanted to go see last week. This week we've been blessed with a relatively light schedule and were able to find two PFF screenings we want to hit. Not to mention the fact that we're going to see Roky Erikson Sunday night in NYC. (And, PS: I am totally excited!) But I digress.
Friday night we're gonna go check out The Burglar at the Ritz 5; presented by Irv Slifkin. The Kommandant and I are big fans of only other "b noir" film we've seen starring Jayne Mansfield, Dog Eat Dog, and Jayne Mansfield in general, so this sounded like a winner.
Here's the blurb about it from the PFF website:
This classic example of a "B noir" was shot in and around Philadelphia and Atlantic City. Dan Duryea stars as the leader of a group of thieves (which includes Bryn Mawr native Jayne Mansfield) who steals a coveted necklace from a spiritualist living in a Main Line mansion. As tensions start to run high among the thieves, a couple of less-than-honorable cops appear on the scene leading to a chase along the Steel Pier. Adapted from his own story by David Goodis (writer of Truffaut's Shoot the Piano Player and Jacques Tourneur's Nightfall), this offbeat crime yarn was produced by Louis W. Kellman ("Diver Dan") and stylishly directed by Paul Wendkos (The Mephisto Waltz) in a flamboyant cinematic style reminiscent of Orson Welles at his most extravagant. Other highlights include appearances by local news legend John Facenda and the diving horse at the Steel Pier. We are proud to reintroduce this film in a pristine new 35mm print. Local author "Movie" Irv Slifkin will talk about the film and sign copies of his latest book "Filmadelphia: A Celebration of a City's Movies" (Middle Atlantic Press), which features The Burglar and over 100 other films made in and around our area.
Saturday afternoon we'll be heading to the Ritz East for the Philadelphia premiere of Viva. We've reviewed a bunch of these "suburban sin" type films over the years and, while they can be hit or miss, I'm very curious to see a modern take on this classically '70s style of sexploitation. Plus I'm developing a serious crush on the woman who wrote, produced, directed and stars in this film, Anna Biller.
Here's some information on that one, again from the PFF website:
Sure to be a future cult classic, the sheer audacity of Viva is something to behold. Anna Biller has single-handedly and lovingly created a campy sexploitation pic worthy of Russ Meyer, Radley Metzger and Hershel Gordon Lewis. Biller not only stars in the film, but collected all the set pieces and costumes and wrote and directed as well. The result is a swirling, boozy, large-breasted, semi-clad sexual odyssey that is vividly colorful, outrageously over-the-top and just a lot of breezy good fun. Biller stars as Barbi, a buxom housewife, who yearns to explore her sexuality. In the midst of the sexual revolution and with an adventurous friend along, she sets off in search of herself. Taking on the pseudonym "Viva" for her exploits, her journey lands her in a world of prostitution, nudist colonies, drugs, lesbianism and bohemian orgies. Viva's breathtaking color palate highlights Biller's set design of flamboyant 1970s "chic." Every detail is meticulously crafted, from the hilariously stilted performances right down to the copies of books like "Gynomite" sitting on shelves in this hilarious and nostalgic look at the innocent days when sex was still something "dangerous."
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